Friday, March 25, 2022

Cheap As Chips: A Day At The Beach With Jennifer Aniston

Do you like to wear perfume when you go to the beach? I enjoy wearing some of the pricey perfumes made to artistically mimic the perfect day at the beach when I wish I were at the beach, but I am in actuality not anywhere near the water. But when I actually go to the beach I want to enjoy nature. I always like to smell good but I don't want to blast a scent trail, which makes the notoriously short lived and minute sillage spreader, J by Jennifer Aniston a perfect choice.

Actress Jennifer Aniston, who will forever be identified with the iconic role of Rachel on the television show Friends, has carved out an image for herself over the last twenty years as the ultimate California beach babe. Dressing in minimalistic colors, sun streaked hair and sun-kissed skin, she exudes the healthy and wholesome vibe of life lived on the beach, toes in the sand with waves washing over them. Thus is was a good fit when in 2010 she came out with her first perfume, inspired by life by the beach. 

Over the course of the last ten years I've tried many of the Jennifer Aniston brand perfumes, and I have a vague memory of wearing the original one, simply called Jennifer Aniston. I remember it having more of a sunscreen vibe in the beginning, which morphed into a gentle floral pretty quickly. I don't have that one, now, so today the first perfume I will talk about is J by Jennifer Aniston. This perfume does give me beach vibes, although maybe more tropical beaches than the Australian coastline where I took the above photo. It has aquatic notes of water lily and "sea notes", and I do get a slightly salty tang. Then softly muted florals enter the picture as if carried by the breeze, including notes of jasmine, magnolia, and freesia. Base notes are vanilla, musk, and sandalwood, but quite honestly this is so short lived that base notes are pretty fleeting.

I find this a pleasing scent to wear on the beach precisely because it is so light and non-combative to the nose. I paid twelve dollars for my bottle so I am not expecting miracles. Are the notes a little synthetic? Yep. Is it, "Spray ya, see ya later"? Yep. But I honestly don't care because for the money, its an enjoyable scent which I can spray with unfettered abandon should I so desire. In countries outside the USA the price point may vary, so take that into consideration.

The second perfume from the brand I own is Beachscape. This fragrance was launched in 2016 and has notes of sea, sand, wildflowers, and woods. It is meant to be a more realistic version of the beach itself.  My usage varies. On the beach I did get the sensation of smelling salty air and brackish seagrass. But when I spray it in my home on an overcast day, I get a totally different sensation. It is as if I am Jennifer Aniston sitting in my Malibu beachside house. My minimalistic decor is on point and my luxuriant white linen sofas will never come in contact with a grain of sand. But looking through my sheet glass windows at the beach before me, it is all very clean and sterile. This is not unpleasant, in fact, there is a whole category of scent dedicated to the smell of fresh laundry. The mystery is how I get such different takes on the perfume in two different settings. Maybe the first time I was actually smelling the beach and not the perfume! Or maybe it needs salt air and sea winds to take on its true character. Quite a mystery cast by a twelve dollar bottle of perfume! In any case, it is a simple and easy scent to wear if you don't want to smell too scented.

Last up from my collection is Near Dusk created in 2015.  Ms. Aniston said this fragrance was meant to capture the fleeting moments of sunset, that glowing space of time when daylight transitions to night and the sun is put to bed. This photo taken on an Adelaide beach shows the warm glow of the setting sun, and I think that Near Dusk does a decent job of capturing this. Like all the Jennifer Aniston perfumes, this one is lightweight, but there are a few moments in the opening of spicy sizzle, warmth, and maybe slight smoke from a beach bonfire, and these notes translate to that golden glow. 

Opening notes are pepper, sea notes, coconut, and nectarine, but I don't get any coconut. Jasmine, peony, and orange blossom are in the heart, and the pepper note continues to dominate the florals. Base notes are musk, vanilla, white amber, and woods. 

I enjoy wearing J and Near Dusk. I'm not a fan of clean scents, so Beachscape is less of a hit with me. If you can get these for a good price, as I did, then their fleeting nature is not such a concern. They're also worth considering if you need "office friendly" type scents. I know many perfume lovers will turn there noses up at these drugstore scents, but there is a time and place for everything. Sometimes you want to be wowed with crème brûlée or crêpes Suzette, and sometimes you just want a Dairy Queen soft serve vanilla cone. I find that lately with heartbreaking images on the news, and the foreboding of existential nuclear threats, I just want the soft serve. The easy choice. And that's what these perfumes are: not high art, not groundbreaking scents; they're the soft serve. And they serve comfort, ease, and prettiness at a fantastic price.

The perfumer for all these fragrances is Jean-Marc Chaillan.

Perfumes are my own. Photos are taken by me, at Adelaide beach.


Thursday, February 3, 2022

Essential Parfums - A Quick Look


Essential Parfums began with a modest proposal: to hire senior and celebrated perfumers to create scents and give them free rein. Then present these perfumes straight to the consumer at an accessible price point. They do this by cutting out the middleman, expensive advertising campaigns, and fancy bottles. All the money is put into the scent itself and savings make these perfumes an affordable luxury. After trying all the scents in the discovery set I can agree that they did an excellent job at delivering quality at a very affordable price, 75 Euro for 100 ml, a true bargain in today's market.

I've been dabbling in Instagram posts, and I took this discovery kit with me on a trip to Krakow in autumn. I had a lot of fun exploring each scent, describing them in a few words rather than a wordy review, then finding scenes around town to superimpose with the scent descriptions, thus making my exploration of Essential Parfums and Krakow a joint discovery. I am going to review the line here and use some of the photos I posted. I will start with my favorites from the line.

Bois Impérial by Quentin Bisch

An opening of thai basil, peppercorn, and grapefruit give an unexpected sparkly and bright opening to this woody perfume. Vetiver and cedar wood enhance the aromatics and make this refreshing and very sniffable. Eventually it deepens with akigalawood, which is an uncycled patchouli. This lends a spicy and earthy aspect and translates to a beautiful piece of ancient wood, burnished and polished to a shiny hue. Below is one of the slides I posted to help describe this fragrance. It's a favorite, not just with me but reviewers in general!

Divine Vanille by Olivier Pescheux

I'm not always a vanilla fan but this one won my heart. Rather than playing up the sweetness of vanilla, the perfumer used cinnamon, black pepper, and clary sage to give it a spicy and aromatic opening. Osmanthus gives a suede-like creaminess and there is a slight whisper of incense. Tonka and resins blend with the vanilla to give a boozy gourmand sweetness, but it's light on the sugar, which suits me fine! This is on my buy list.

Rose Magnetic by Sophie Labbé
This opens with a pretty note of litchi, mixed with playful notes of bitter grapefruit and mint. Like the perfumes above, it is an aromatic opening. The rose floats in an at first is light and pretty. Eventually cedar wood, musk, and vanilla deepen the rose and make it rich, strong, and a truly unisex choice.

Mon Vetiver by Bruno Jovanovic

Once again we have an aromatic opening, this time with a gin accord from notes of Mexican lime and juniper oil. It is a fresh but elegant opening. Lavender is present, but it is an herbal, not a floral lavender. The vetiver is joined by patchouli and cashmeran wood, which amplify the scent's earthiness. I don't always love vetiver but I quite like this one.

Orange X Santal by Natalie Gracia-Cetto

This starts with the smell of a bright pithy orange; skin, juice, and all. Then fairly soon creamy sandalwood smooths everything out. This is simple, fun, easy-to-wear and a great summer scent!

Nice Bergamot by Antoine Maisondieu

A burst of Calabrian Bergamot mixed with soft notes of rose petal, jasmine, and ylang ylang give this a light and pretty opening that speaks of easy breezy summer days. Tonka gives it a gentle creaminess and sweetness, grounded by cedar wood. I like this very much but unfortunately, as is usually the case, the citrus notes are elusive and gone fairly quickly. 

The Musk by Calice Becker

A musk is a musk is a musk, unless that is, it's in the hands of a master perfumer like Calice Becker. These fragrances are all created by different perfumers who worked independently, but it's surprising how many of them started their scents with unusual aromatics. This one opens with notes of red ginger and spicy lavender. It smells warm, like skin. Musk and sandalwood form the base. I like this scent  a lot, but it doesn't have great longevity on my skin. The good news is these perfumes are reasonably priced so repeated spraying is not unreasonable!

I like all of these scents and consider them good value. I particularly like the first three in the list here. Their discovery kit is reasonably priced and a great way to try out the line. I would be surprised if you didn't find something to love!

Photos are my own, all taken around Krakow. I purchased the Essential Parfums sample set myself. Opinions are my own.

Monday, December 13, 2021

Christmas Countdown: St Lucia's Day! Celebrated With DSH Perfumes Ruby Candlelight, Maccabees, and Lumiere


Today, December 13th is St. Lucia's Day, celebrated in Sweden as well as other Nordic countries. I had always thought it was a pagan festival, bringing light to the longest day of the year, but in researching for this post I found out that actually quite the opposite is true. The day was founded to honor St. Lucy, a Christian martyr killed by the Romans in the year 304. Legend has it that St. Lucy took food to the Christians hiding in the Roman catacombs. (Have  you ever been there? It's a fascinating side trip if you ever get to Rome). She wanted to carry as much food and water as possible, so she wore a crown of candles on her head to light the way through the dark tunnels.

Today the celebration falls on the longest night of the year and is meant to bring hope and life, and to celebrate the return of light as the days will again start to become longer. In Swedish homes, the eldest daughter would dress in white and bring lussekatter (saffron bread) and coffee to the family. Each town chooses a girl to represent St. Lucia who marches in a processional with other children robed in white and wearing wreath-like crowns. Traditionally a crown of candles was worn, but in more recent times the flames are usually replaced with bulbs for obvious reasons. They wear white robes to represent purity and a red sash to signify the blood of the martyrs. 

To commemorate this day I turn to one of my favorite perfumers, nestled deep in the mountains of Boulder, Colorado, Dawn Spencer Hurwitz of DSH Perfumes. Every year for the past twenty one years Dawn has created a perfume for the holiday season. Ruby Candlelight is the 2021 holiday perfume. (Spoiler alert: she sells two discovery sets featuring all these scents). Dawn had a very specific memory from her own Christmas celebrations as a child. Her mother had advent rituals, one of which was a candle holder with ruby-colored glass and a golden angel on top. When lit, the flame would send the metal angels spinning. I have seen these referred to as angel chimes. It all made a deep impression on young Dawn, and she remembers the ritual being "solemn, mysterious, and joyful".

She remembered that the candles had a raspberry scent, so she has recreated the memory with scents of raspberry blending with melted wax, as well as the ambiance of the Christmas tree scent in the background. Ruby Candlelight is a softly solemn recreation of this ritual.

The scent does open with raspberry, the note quivering alone for a moment after application. Then it is joined by the smell of wax melting as it drips down the candlesticks. The raspberry is still very quietly present, not really tart but more just incorporated into the wax smell. As the scent deepens I get the occasional whiff of a Christmas tree in the background. Ruby Candlelight wears very close to my skin, creating an aura as intimate and special as the one Dawn has remembered and recreated from all those years ago!

I was so taken with this story that I did a little searching. I remembered seeing these candelabras years ago when I was at the German Christmas markets. I couldn't find any with the ruby colored glass holders that Dawn remembered, but I've found some at World Market and Vermont Country Store, and I'm thinking I may create my own ritual with my young grandchildren!

Dawn has other Christmas scents that give the smell of candles burning, which to me are so indicative of the St. Lucia crown historically worn on this day. Maccabees was Dawn's 19th holiday scent, inspired by the celebration of Hanukkah. It came out in that golden Christmas of 2019, right before the world descended into Covid chaos!

During the Maccabean revolt in ancient times there is a story of the rededication of the temple and the lighting of the Menorah. The oil to light the lamp was only enough for one day but lasted a miraculous eight days. Maccabee remembers this occasion through a scent seeped in the smell of beeswax candles. Today's candle tapers are usually dripless, and if this is all you've experienced than you've never known the luscious honeyed waxy smell that dripping accumulating candles impart!

There is a very light resin and incense aura in the background, but on my skin it is the honeyed beeswax scent that dominates. It is worth mentioning that the honey note is not strong or sweet, but really does take on the beeswax candle smell. 

This last scent I'm including partially because of its name, Lumiere, meaning light, which has been the theme here. At the beginning of the scent a bright flash of bergamot glows like a candle flickering in the dark. Dawn always lists the notes of her perfumes, and reading this one it sounds like a delicious spice cake. There is cardomom, coffee, cinnamon leaf, coriander, boozy notes, nutmeg, hazelnut, rum, and too much more too name. So this scent does not have the candle wax accord of the two previous fragrances, but it does do a good job of juggling light and dark notes. All the warming spices notes are balanced by a glowing brightness, so you get traditional Christmas scents with the touch of luminosity which eventually smells like golden spice.

I became so fascinated with the beautiful ceremony of St. Lucia's Day while writing about it here. I have two youtube videos explaining the celebration more. The first is a two-minute version showing the procession into the church with participants singing the St. Lucia song. These brave girls, with real candles flaming on their heads!

The second is a "St. Lucia day primer for dummies" with lots of interesting facts and history.

I hope you have enjoyed this introduction to St. Lucia's Day and to DSH Perfumes!

Top photo Pinterest images. Perfume samples are my own.

Sunday, December 12, 2021

Christmas Countdown: bdk parfums Gris Charnel

When I bought my bottle of Gris Charnel this summer, I knew I would be playing a waiting game. I loved the scent, but for me it was definitely a fragrance that needed the snap of colder weather. Well, I've been waiting through an unseasonably warm autumn, but finally temperatures are dropping and I can give this one some wear and appreciation!

bdk parfums hit the perfume world with a big splash about a year ago. I participated in a very Covid-inspired trend, the ZOOM masterclass, to try various scents online with their brand ambassador and the lovely Josie from Osswald NYC. All the scents were nice in one way or the other, but the one that definitely impressed me the most was Gris Charnel

Over past Christmas seasons I have written posts about perfumes that feel silvery and festive as suits the season. You will find those here and here. Gris is French for gray, and if you are someone who gets color sensations when you try perfume, Gris Charnel imparts the colors of gray and silver. I was so excited to find another one of these scents that give the sensation of cold air going up the nose and make you feel the need to go grab a sweater, that I failed to realize one of the main notes. fig. Fig is a favorite note of mine, but one I usually associate more with summer scents. Once I knew it was there it was obvious, but I was so caught up in the warmth, the spice, the cooling feeling it imparted, that I was too busy swooning to dissect notes.

The opening has notes of fig, black tea, and cardomom. At this time of year this brings to mind the wonderful but brief time we lived in Scotland, and feasting on fine Christmas dinners at old mansions converted to restaurants with fireplaces roaring and snow blanketed fields. At this time of year a Christmas pudding was the grand finale to a magnificent feast. (I won't get into the technical differences between Christmas pudding and figgy pudding, but the Christmas carol with the refrain, "now bring me a figgy pudding," was a favorite with my young children). I have taken a trip down memory lane, one of the best pleasures that smell can impart, but suffice it to say the opening of Gris Charnel feels warm, cozy, and intimate. It also reminds me of the delicious spicy and fruity smell of this fragrant treat. Go here for a recipe.

 Heart notes in Gris Charnel include iris and bourbon vetiver. I think the iris note is part of what gives me the chilly effect in this perfume. I was not familiar with bourbon vetiver, just the ordinary stuff, so I looked it up. It is described as smoky, woody, earthy, and rich, which probably explains the slight dry smoke I smell after the perfume has been on my skin for awhile.

Sandalwood and tonka bean are the base notes, but they make their presence known much earlier. The sandalwood displays as creamy, which is further emphasized by the tonka's warm rum and vanilla scented presence.  I think what makes this scent work so well for me is the back and forth between chilly notes (iris) and warm notes (fig), and spicy notes (cardomom) and sweet notes (tonka). They all balance each other out with perfection.

This scent eventually becomes a "your skin but better" scent. In all honesty I love this scent enough to wear it anytime of year, but now is the time for it to really shine.

Top photo my own. I bought my bottle of bdk Gris Charnel. Opinions are my own.


Monday, December 6, 2021

Christmas Countdown: Franck Boclet Fir Balsam

Is there anything more symbolic of the Christmas season than bedecked Christmas trees with softly glowing lights? Although I no longer have a live tree in the house, I do my best to replicate their smell which is so indicative of Christmas. Many turn to scents of fir and pine trees in the winter to bring to mind a walk through crisply cold woods, but these scents seem especially apropos at Christmas. One such contender is Franck Boclet Fir Balsam

Fir Balsam opens with notes of red berries, artemisia, and cardomom. The artemisia has a bitter green smell, but it is savory and appealing. The cardomom adds more spiciness. The middle notes are fir balsam, patchouli, and rose. The fresh outdoor smell of the fir tree is the most prevalent smell, and the patchouli adds a bit of earthiness. The smell of the fir balsam is subtle and not at all overpowering.

Photo from

Base notes are benzoin, vanilla, and labdanum, a delicious mix of resins. I have tried quite a few perfumes by Franck Boclet and they all have shared the trait of being at least slightly gourmand. Here it is subtle, as is the whole scent. The deepness of the benzoin and labdanum is tempered by the addition of vanilla to lighten and sweeten. This, combined with the fir scent make a merry Christmas scent indeed! They market this scent to men, but I am very comfortable wearing it and find it very unisex pleasing. My last word on this, performance. Sometimes pine or fir scents can be overpowering. Not so, here. This is a subtle scent, and I actually wish it lasted a bit longer on me, but it is at a pretty good price point so I don't mind respraying.

Franck Boclet is a French designer of men's clothing, specializing in the colors of black and white. He refers to his style as "rock and riot". He began introducing perfumes to his brand in 2013 and now has more than 40 fragrances.

Top photo: "Stick With Me Chocolate" by Lisa Feng. Bottom Photo: Google Image. The perfume and opinions are my own.

Thursday, December 2, 2021

La Fleur by Livvy Presents "The Other Side of Me" (TOSUM)

 Olivia Larson of La Fleur by Livvy has released the second in her series of natural perfumes based on Impressionist artists of France, called The Other Side of Me, or TOSUM for brevity. The first perfume in the series was inspired by Monet, truly the father of the Impressionists movement, and Livvy's perfume, A Walk In Giverny, is a truly gorgeous scent representing a stroll through Monet's garden. This second fragrance is inspired by lesser known artist Frederic Bazille, who painted some of his best known works at just twenty three years of age. His career as a painter was cut short as he died on the battlefield during the Franco-Prussian war at a mere twenty eight years of age. One of his more famous paintings is shown below. Although it hardly looks revolutionary today, at the time it was considered quite daring to paint a portrait en plein aire, and in particular, to only show the subject's back.

The Pink Dress (View of Castelnau-le-Lez, Hérault) 1864 Museée D"Orsay

The Other Side of Me is an ode to the artist made in the style of a modern chypre. TOSUM opens with a bright peppery yuzu note, a little strident and bright. This starts to morph fairly quickly into a more earthy smell. As befitting a natural perfume, it smells very of nature. It is like strolling through a forest path, the leaves damp underfoot, and that funkalicious smell of nature in its decomposing state. There is a little bit of an earthy mushroom feel, although this is just an effect. Mushroom is not a note in TOSUM.

Forest Floor. Pinterest image:

This pungency is short lived on my skin but it does announce in no uncertain terms, this is a natural perfume. You just don't get these notes in synthetic fragrances. I used to live in Scotland, and this smell brings to mind the scent of many tramps through nearby woods, through trees and moss-covered rocky trails. There is a quality of dampness and fresh air. Before I continue, let me list the notes found in the perfume. 

Olivia Larson calls herself a rebel perfumer, just as the Impressionist painters were rebels in their own time. She is able to source natural organic, wild, and rare ingredients for her perfume palette. The nose for this perfume is Andrej Babicky, as it was with A Walk In Giverny.

As the perfume seemingly melts into my skin it becomes warmer and smoother, exuding a luxurious richness. The moss and leaves have melted away, and now I'm left with the impression of a woodland scene at the end of the day, when everything is dusky shadows but the sky is gilded by the last golden moments of  sunlight.

As you may determine from my description, it is hard to read the notes and get an accurate depiction of what you will smell. I think that is a special magic of natural perfumes. They really create an individual experience according to who is wearing the perfume, making it very personal.

Olivia and Andrej have created a very different but another beautiful scent to add to the Impressions Collection. 

Photos are from the perfumer's website:  Thank you to the perfumer for sending me a sample of this perfume. Opinions are my own.

Thursday, November 4, 2021

Puredistance No. 12 Completes the Magnificent XII Collection


Puredistance founder Jan Ewoud Vos has announced that with the introduction of Puredistance No. 12, the house's twelfth perfume, the brand's completed collection will be called the Magnificent XII and kept to only twelve fragrances. In the twenty years since the name Puredistance was trademarked, just these twelve perfumes have been introduced, very restrained when compared to other perfume houses with flankers and multiple releases per year. Jan Ewoud Vos works with a carefully selected group of fine perfumers who he trusts with his vision for the brand, and French Perfumer Nathalie Feisthauer was chosen for this latest introduction.

Ms. Feisthauer came to the attention of Jan Ewoud Vos through a friend and associate. Ms. Feisthauer was interested in creating a perfume for Puredistance so when contacted, she came to their office in Amsterdam with eleven scents to present to Ewoud Vos and team. A scent titled Gold Taffeta immediately captured his attention as having the Puredistance DNA. This was in 2018 and at the time a formula for Puredistance Gold was being sought. Jan Ewoud Vos made the decision that while this perfume did not feel like gold to him, he did want it for Puredistance.

Puredistance No. 12 completes the Magnificent XII Collection. In the future when new perfumes are introduced, one of the older perfumes will be taken out of the collection and put into a private collection. The scents in the private collection will no longer be marketed, but will be available to those who know and love the scents.

In the publicity copy that went out with Puredistance No. 12, the statement is made: "A grand perfume that wraps around you like a cashmere veil. A perfume like no other, in many ways timeless and hard to describe with words.

Truer words were never spoken! Puredistance fragrances are never easy to describe. I always find it difficult to condense the scents into a collection of descriptive adjectives. Because the perfumes are so well blended, they provide me with more of a mood conveyed, idea boards with images forming in my brain, rather than a clear way to explain the scents. But this is a review, so I will try.

Puredistance No. 12 is housed in a slim blue cylinder, at least the 17.5 ml size. Like all Puredistance perfumes, it is also available in 60 ml and 100 ml sizes. Jan Ewoud Vos nicknamed this perfume "Beauty in Blue", and he does seem to pick the perfect color to encapsulate each of his scents. The deep blue represents royalty, and blue can also represent calm. Puredistance No. 12 fits both of these criteria.

At first spray it goes on quietly, while still making a statement. The spray of perfume is like an exhale, releasing the worries and cares that have been weighing you down, and cloaking the wearer in a soft cerulean shield.

The spray leaves a sheen of scent on my wrist. Puredistance is known for their use of a high percentage of perfume oils, so applying them is always a bit of an experience to me. The spray shimmers like an annointment, and I gently rub the richness into my skin. It does not feel oily and quickly absorbs. The citrus opening is fittingly not bright or sharp, but rich and nuanced. Oils of mandarin, bergamot, coriander, cardomom, ylang ylang, along with narcissus absolute simmer with quiet elegance. 

Next comes a very slight powder scent composed of notes of heliotrope and earthy orris root, which gives the cashmere veil effect. It feels soft and plush, and makes me think of musky skin, powdered after a bath. (When I tried this originally, in warmer weather, the narcissus really sang and I thought it would be gorgeous for spring. Now that the weather is colder, the warmth of the spices appear, and it feels warmer and cozier.)

This stage lasts for some time but eventually other heart notes appear: jasmine, rose, geranium, lily of the valley, orange blossom, and osmanthus. Reading this list you would expect a lush, floral bomb of a scent but this is far from the case. Initially, I honestly can't pick out a single one of these floral notes individually. Instead, they are like a tightly woven tapestry, combining their various floral notes into one harmonious choir. The effect is polished and dare I say, sublime. It is understated elegance. Grace Kelly, not Marilyn Monroe. Audrey Hepburn, not Sophia Loren. All these ladies are elegant, but like Grace and Audrey, Puredistance No. 12 believes that less is more; that confident beauty can speak sotto voce.

The florals ebb and flow, but on my skin they are always on low simmer. This perfume feels personal when I wear it, as if it is to please me, first and foremost, and any others being able to appreciate it are secondary. After several hours the florals give way to soft base notes which smell slightly woody and musky. Official notes are vetiver, sandalwood, patchouli, oak moss, tonka, ambrette, ambroxin, vanilla, and musk.

This perfume has a different feel from some of the recent Puredistance releases I have loved. Let's put it in musical terms. If Warszawa is one of Chopin's Mazurkas, or if Rubikona is a lively composition of Mozart's The Magic Flute or Tchaikovsky's The Nutcracker Russian Dance; then Puredistance No. 12 is a more tranquil composition such as Beethoven's Moonlight Sonata or Debussy's Clair de Lune. Graceful, refined, classic, elegant...these are all words that come to mind while wearing this perfume.

So at the ending I am back to the beginning, a feeling of slight frustration at being unable to find the right words to describe this subtle but beautiful perfume. Reading the notes will not describe this perfume to you. Reading my description will only give you a glimmer. This is a beautiful perfume that confounds easy description. And it is a quietly confident ending to complete the circle of twelve Puredistance perfumes, the Magnificent XII, at least for now!

Images are from Press Release material provided by Puredistance. I was given a perfume flacon to test by Puredistance perfumes. Opinions as always are my own.